Hello, my name is Max and this is the bio I had to write for my band. We are called Say Anything. We have existed since Coby started playing drums over the horrible songs I wrote about girls while attending high school in Los Angeles, California. Being the egomaniacal singer type, I proceeded to kick out and\or drive away pretty much anyone else who joined the band, so there were a ton of lineup changes, yet somehow Coby and I ended up selling a lot of our self released\recorded cd. Soon, all these strange children started to repeatedly attend our live shows and tell their friends until we garnered a motley crew of a fan base.

Being fresh faced teenagers, as well as the fact that we were playing with bands like the Promise Ring (and, like, Rooney), it wasn't a surprise that all these big scary labels saw us as a safe bet and tried to get us to sell our souls to them. Thus, I decided we needed to make "respectable" music.

Finally, one night, it hit me. THAT was what my record had to be about: the artistic struggle, the fact that every creative person has this sick ambition to affect some sort of change in society with their art, to be more than just a guy in a band or a poet or a sculptor. I couldn't decide if this ambition was a good or bad thing but I decided to parody that overzealous drive in human beings by crafting a truly over the top musical about...myself. The songs were jam packed with fairly blatant nods to bands I dig (Queen, Saves the Day, Pavement, Faith No More, Fugazi, etc).

It had been out for a while, slathered in scene hype (not so ironically the very thing the album parodies) and was doing quite fine on its own but we and J records decided to partner up to see just how many kids we could turn on to this self deprecating mess of an album. My main motivation was to further my idea that no mainstream music fan is worth less then somebody who reads about our band on buddyhead or some livejournal. I am prepared for the chants of "sell out sell out sell out" and more than willing to literally spit back in the face of anyone who would desert me because I signed to a major label. My music is not something to be owned by a core audience. It's made to be appreciated universally.

So here I am, at "so far so good." It's a hard place to be but it is a blessing. There's so much hope for my future yet so much potential for me to become a) a coked up diva b) a bitter, penniless hack c) a cab driver. I don't really care either way because there is that small chance I'll get what I want; to be someone to relate to for anyone who is as alienated, awkward, spastic and passionate as me.