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To put it one way, Lembach's unbridled songwriting very accurately reflects the fact that living amongst some of today's less than grateful, self-centered scumbags is often akin to brushing one's...

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To put it one way, Lembach's unbridled songwriting very accurately reflects the fact that living amongst some of today's less than grateful, self-centered scumbags is often akin to brushing one's teeth with sandpaper. Ruiner is the barbed-wire floss to counteract that; it is the means by which these three southern noise-rockers bite back against the world's shitty ways and its shittier inhabitants. Opener 'Daddy's Money' recapitulates the story of that certain vapid, over-privileged bitch that everyone seems to know, whose father's rent checks just happen to go right up her button nose instead. Or take a track like 'Tell Me Something Scientific,' whose production and execution are as raw as its anti-religious-fundantalist message is obvious. Even the fact that the track's central riff and melody resembles those of the intro to 'Fake Life' just a little too closely is so easily forgivable considering the group's incredible propensity to grind their message home - in a nice way, if that's at all conceivable. Despite its noise-rock roots, nothing about Ruiner comes off as inaccessible: its unrelenting noisiness carries as much purpose and direction as its songwriting, meanwhile maintaining enough of their "***-off" attitude to lend the album its cutthroat allure. It vividly recalls and rehashes all of punk-rock's most essential mantras and motifs whilst supplementing them with some seriously pulverizing neo-monolithic riffage, cementing Ruiner as an end-of-the-year record worth delving back into a now retired 2011 for." - Sputnik Music